Fantasy Lantern Draft.

http://robot6.comicbookresources.com/2010/01/the-fantasy-lantern-draft-begins/

In response to this article I thought I'd do my own.

Real World...
Red Lantern: Rush Limbaugh
Orange Lantern: AIG (Corporations count as people now)
Sinestro Corps: Tomas Haake
Green Lantern: Jon Stewart
Blue Lantern: Barack Obama (I know it's uncreative, but it's become part of his character)
Indigo Tribe: My Mom (And probably yours deserves this one as well)
Star Saphires: Lady Gaga
Black Lantern: Ronald Regan (Imagine having to go through an immortal RR, that would be terrifying)

From Movies...
Red Lantern: Black Mamba (Kill Bill)
Orange Lantern: Patrick Bateman
Sinestro Corps: That Girl from Shutter (The Thai Original)
Green Lantern: The Zohan
Blue Lantern: Roger Rabbit
Indigo Tribe: The Na'vi (This is the obvious one, but damnit they deserve it)
Star Saphire: Eva (From Wall-E)
Black Lantern: Wash (Serenity) 

Marvel Comics
Red Lantern: Wolverine (No one has been angrier for so long)
Orange Lantern: The Kingpin
Sinestro Corps: Mr. Sinister
Green Lantern: Charles Xavier
Blue Lantern: Spider Man
Indigo Tribe: Aunt May (I don't know who to put for this one)
Star Saphire: Mary Jane (I'm not overly steeped in Marvel Canon, sorry)
Black Lantern: (I don't know who's dead right now that's important, they may just be a Skrull)

DC Comics (Not including the actual Lanterns)
Red Lantern: Hawkman (or 90s Aquaman)
Orange Lantern: Lobo (Greed is more than just Hoarding)
Sinestro Corps: Darkseid
Green Lantern: Dr. Fate
Blue Lantern: Robin (All of them)
Indigo Lantern: Accomplished Perfect Physician
Star Saphire: Isis
Black Lantern: Mandrakk

Various Other Comics 
Red Lantern: Deathblow
Orange Lantern: The Comedian
Sinestro Corps: The Spectre (From the EC days)
Green Lantern: Bandit (WE3)
Blue Lantern: Blythe (Air)
Indigo Tribe: Black Orchid (The Gaiman/McKean version anyway)
Star Saphire: Promethea
Black Lantern: (I don't have one for this one sorry) 

Comics Industry
Red Lantern: Frank Miller
Orange Lantern: Chris Yost
Sinestro Corps: Grant Morrison (He writes scary good)
Green Lantern: James Robinson
Blue Lantern: Geoff Johns
Indigo Lantern: Amanda Connor (I don't know for this one)
Star Saphire: Alan Moore (No one has more love for Comics, sorry for putting that image in your head though)
Black Lantern: Jack Kirby 

Video Games
Red Lantern: Marcus (Gears of War)
Orange Lantern: Garret (Thief)
Sinestro Corps: Sephiroth (Final Fantasy VII)
Green Lantern: Altier (Assassin's Creed)
Blue Lantern: James Sunderland (Silent Hill 2)
Indigo Tribe: Lulu (Final Fantasy X)
Star Saphire: Bayonetta
Black Lantern: Sonic

DC Comics Review: The Phantom Stranger #42 (Blackest Night)

By Peter J. Tomasi

Art: Adrian Syaf & Vincente Cifuentes

I'll preface by saying that this was an enjoyable issue. I was not into comics at the time of the original Phantom Stranger series, but I've always found him to be an interesting character, and this issue for the most part confirms me being right.

(Spoiler Warning)

Plot: The Stranger and the Blue Devil are where they were left at the end of Blackest Night #2 (A long way back at this point) Staring down the terrifying prospect of the Black Lantern Spectre. Quickly for the uninitiated; The Spectre is the Judeo-Christian god's hand of Vengeance. Cain (him being marked as a murderer that is), Sodom and Gomorrah, the 10 Plagues were all that guy. More relevant to the DC Universe, he was a large part of the solution to 2/3 of the Crises. He is one of the most powerful creatures in the DCU, and can do just about anything. Needless to say even the mysterious Stranger, is wetting himself a bit at this point.

The Phantom Stranger has a large point (perhaps mandate) of non-interference, though how much that matters, or is true is up for nerd debate. The Phantom Stranger, throws first motivation, and then insults at the Spectre to see if he can commune with the Spirit of Vengeance itself, rather than its human host Crispus Allen, who has been possessed by the black ring. The Spectre does not respond kindly to insults, and proceeds to try to claw his way out of his host body. Unfortunately we have a sort of Warhammer 40k conundrum of everything being the most powerful something, and the black ring ultimately wins. The Spectre gets called to the pages of Green Lantern #50 (coming tomorrow) where evidently the Stranger can't follow, so he and Blue Devil go in search of a way to rescue Deadman (Boston Brand).

Basically the rest of the issue is the Spectre gathering mcguffins and heading to Nanda Parbat to rescue Deadman, who is jumping in and out of Black Lanterns forcing them to kill themselves (In a sense). A black ring finally grabs the incorporeal Deadman, and either makes him manifest, or drags him to his body (I'm not really sure). The Stranger does a little song and dance, and some art shows parts of his potential origin, and in the end rescues Deadman. A nice cliff-hanger is reached with them mentioning something about Deadman's body being useful for something or another.

(End Spoilers)

Art: Syaf is a very talented artist. His technique reminds me of somewhere between the Kuberts/Tony Daniel, and Ivan Reis. Strong use of straight lines, for shading and effects, but when it comes to outline characters, and other important things, curves are used adequately. Needless to say it is also very detailed, very similar to Blackest Night Batman. However I'm worried that what worked there in BN Batman doesn't quite work for a magical tale of the Phantom Stranger's sort. A lot of this book is scenes of the Stranger talking, and being profound. That is fine but someone who oozes magic and mystery needs to have something going on behind him to emphasise his power, or just to give people something to dwell on. An Artist more in Tony Harris J.H. Williams or Ethan Van Sciver (When they let him off of his meds, like the speed force scenes in Flash Rebirth) might have been more appropriate, at least for some of the standing around scenes. However I understand that those guys are high profile, and probably mega expensive. Still the art is good, just not quite what was needed.

Overall Impressions: I liked this issue. It doesn't really change any part of the game, or introduce anything new; but it is solid. The story is pretty linear and straightforward, and was accessible enough to me who is only wiki educated on the Stranger. I can't say how its done justice or not to the original series, but I think the point of the Blackest Night title resurrections were to garner interest in past series, and on that note it succeeded. The artwork is fine, on its own merits, but I personally don't feel like it suits the story. Finally just to add my own little flavour to this issue...It doesn't mesh perfectly but try The Grand Conjuration by Opeth with this issue. If you know the song, you'll know the pace to read at and it actually fits pretty well.

Also, sorry I haven't been keeping up with this (All 100 of you who have at least stumbled this). School has started again, so I'm stuck between real reading, and leisure reading. I'll try to have this weeks issues up by Sunday or Monday depending when I stop drinking/being hung-over from my birthday this Sunday.

Chris Yost's Run on Red Robin

Red Robin #2 Cover

Francis Manapul

Chris Yost, I am very confused by him. Currently he is the writer of Red Robin, the "post" Bruce Wayne Tim Drake (Wayne) identity. To put it politely his run has been an entire piece of shit. Ok, maybe not that harshly, after all Batgirl is far worse, and Outsiders crashed and burned much sooner than this title. Still I think I have my anger toward Yost because it's Tim Drake. The Robin that was the most Human.

While I love Dick Grayson, and yes I love him as Batman, it's been great fun; There is no denying that his original conception was just to be Kid Batman. He was there to sort of just be cool to younger kids, and indeed that is the recurring motif with all of the Robins. They grow up with the Readers. Dick is now post college (comic book style), having found a real job as Batman, Tim seems to be an insecure but competent late teenager. And Damian is just a little shitmuncher, not completely relate-able except by spoiled rich kids, but still his rebelious nature is something to be desired for very little kids just realising that rules are meant to be broken. 

However back to Chris Yost, and Red Robin. Drake started out wanting to be Robin for the sake of studying under Batman's tutelage as a detective, not so much as an ass kickin' crime fighter; though I'm sure for all kids his age that was a damn nice bonus. This backstory was a nice change from everyone's motivations stemming from tragedy. Eventually though tragedy did catch up to Tim when each of his parents were taken by crime. But unlike most heroes who used it to keep pushing forward as a hero. (I mean this as this is now entirely what motivates them, like Batman, or the 2814 Green Lanterns initially). Tim moves past it, taking time off from being Robin, and going through a completely reasonable lashing out at the world period. A few real life years later, the man who adopted Tim was killed by the god of all evil (the most fucking badass way for Batman to go, and you know it!) Tim once again goes into denial and sets out on a morally questionable journey to prove that Bruce is still alive, and now here come all kinds of problems.

Just to start with something positive before I pour bile all over Yost...Everything he's done so far has been a very good attempt. He's been trying to play to the fact that Tim is a detective, however he just isn't Brad Meltzer, or a pre tragedy Jeph Leob, in that he just can't seem to write a good, unpredictable, compelling mystery. Ok, so Tim doesn't think Bruce is dead. That's fine, now here is where you would present the why, other than denial. I understand he's upset and might not be thinking clearly, but a detective of Tim's caliber would need more than the corpse of Batman to run off and search for Bruce. That's the next thing; the story on his hunt for Bruce Wayne makes absolutely no sense. He's in Germany, Paris, Iraq, then BAM! he has the Bat that Bruce drew on the cave wall at the end of Final Crisis #7. We don't know what he found in the previous countries, we don't know how the fuck he got to this specific cave. Moreover Ra's Al Ghul is trailing Tim, presumably to find Batman's corpse and put it in a Lazarus pit (Though I think that's what they're going to do in Batman and Robin, but that's Grant Morrison so it will be good).

Overall the story just wreaks of lazy storytelling. The characterisation isn't bad, with Tim constantly reassuring himself he's not crazy. But the problem is the Audience already knows what no one else in the DCU knows; that Batman isn't dead. So to keep hammering that home becomes very frustrating to read. This is compounded by the fact that Tim rarely interacts with anyone who makes him feel like he's crazy. Brief stints with Wonder Girl, and Spoiler who just want to help him, but then he turns brash saying that he has to do this alone for absolutely no good reason.

As an older person than the demographic that Drake is sort of aimed at, I try not to let his angst get to me too much though it is bothersome at times. But back to just basic storytelling problems, Yost just doesn't give any reason or means for these mysteries to be solved. The council of spiders arc was fair enough. But it was in the end a series of punch ups and then suddenly Tim blew up Ra's computer network. It was entirely stupid and really just didn't offer anything new to the character, the Bat-verse, the DCU, or comic books as a whole. And while not every comic needs to be a watchmen or promethea; Red Robin takes a very central character in the Bat-verse, in a very strange time in this world, and does absolutely nothing with it. It's a costume change, and a slight personality change, but no real character development, even in the vein of comics where everything is reset.

I still don't know what to say about Yost as a writer. While I want to replace his skin with styrofoam for making such a stupid arc on Red Robin, his One issue stint on Titans spotlighting Starfire was not all that bad. Neither was his run on The Streets of Gotham. So who knows? This is a book that you should skip. Unless of course you have some disposable income and would just like to see something crash and burn. If you would like to see a slightly less irritating Tim Drake depiction, pick up Adventure Comics #3, or Blackest Night Batman.

Also I know that its ironic that I criticize Yost for having all kinds of plot holes and simplistic writing, while my own writing style is splotchy. I'm working on it, and also I'm not a professional, so yeah....

Marvel Offering Variant Seige #3 Covers.

   I think it's obvious. What they want to do is reverse engineer the success of Blackest Night. They'll start with Adventure Comics #4, since Geoff wrote that, thus being closer to the source. Then move on to Justice League by Robinson, and Outsiders by Tomasi judging by degrees of separation.

DC Comics Review: Batman Doc Savage Special

Brian Azzarello: Writer

Phil Noto: Artist

What a fun comic. I'll start off with that. Noto's art is perfect for this. Everyone has this sort of emptiness and falsehood to themselves, save for Batman, Savage, and Savage's partner(s). The backgrounds are great, with bright colours, palm trees, cliffs, and huge skyscrapers; though Gotham seems to have transplanted itself from New York/Chicago, to Los Angeles when it feels fit.

Going into this I had reservations. Azzarello is the gritty guy, which makes him somewhat ideal to write Batman, and while I loved Lex Luthor: Man of Steel, His Joker comic was rather unnecessary. It belonged more in the continuity of the Dark Knight movie, rather than the actual bat-verse. It was just sort of mindless minutia, unlike The Killing Joke which offered a clever idea to the “origin story” of the Joker.

Still I digress, Azzarello handles things perfectly, even without his life partner Lee Bermejo. As I said before this comic was a lot of fun. Think Batman in the setting of the Mask, when Jim Carry first meets Cameron Diaz, meanwhile everyone around him sounds like Richard Jeni, that sort of confident swagger. It's the mark of a good writer especially in the comic medium to capture the voices of the characters, something Chris Yost could really learn.

Because this story is pretty much just a set up for what's to come in the First Wave universe, I don't want to spoil too much. It's nice to see Batman green while still in the Bat-suit, as well as a young Bruce Wayne, who still acts like a young person, very strong characterisation there. As I said again Noto's artwork is top notch for this stuff. A quick digression though, he is a huge fan of prominent jaws which is a bit strange on women, still the proportions work for this. Definitely pick this one up.

Finally, I would recommend to play either any kind of Zoot Suit Riot/Sing Swing Sing variation while reading this. However if you're like me and like your new music, I would go for the Dear Hunter, Smiling Swine and City Escape are two songs that fit this quite nicely. 

Just for the record, another thing that makes this new pulp universe awesome when it starts up in March; it's going to be illustrated by Rags Morales. Beyond his amazing artwork, what a great name to be doing a pulpish universe. Rags.  

DC Graphic Novel Review: Arkham Asylum a Serious house on Serious Earth

Where the hell do I even start with this? Re-reading this for this review is probably my 10th time or so reading this book and it still blows me away, and by the way; this was written in the 1989. Like most things written by Morrison and most of his British counterparts when they do the superhero genre, they are very interested in finding out what these characters are all about.

Morrison this time is delving into the more psychological aspects of Batman. Not so much his motivations, those have been explored to death by the 1950s. But what Drives Batman? Is he really insane? Or does he have control over any and all situations. The other story being explored is that of Amadeus Arkham, and how his Mother's mental illness and eventual death galvanised him into founding Arkham Asylum. Among other things, Grant's fascination with Magic, and symbolism in all its forms takes a huge overtone in this. Unfortunately that side I won't be able to delve much into due to my own ignorance of that subject matter. However that alone is a good reason why this book is so great and so re-readable, always something new to find.

Plot
Starting in the past with the Death of Amadeus Arkham's mother to set the ground for Arkham's motivations for starting the Asylum. We then jump to the present where Commissioner Gordon has called Batman to warn him of trouble at Arkham Asylum. Joker Demands that Batman come to the Asylum alone or else he and the other somehow freed inmates. Batman in and the trouble ensues. Meanwhile Arkham's storyline is similar to that of Batman, though diverging at a certain point, and connecting in the end. That's Basically it, I really don't want to spoil anything here. Like most comic book plots it's based on a very simple idea, however with characters that are about 60 years old at this point, keeping them fresh is the challenge that makes these books still worth reading.

Artwork
This is where everything shines. Dave McKean gives us everything from haunting shadiness, Beautiful backgrounds, obscured darkness, Hebrew Symbology, Steampunk Machines, and haunting blots. I would argue that the artwork is where the story really lies. As the story is mostly about Madness, the art reflects the mad and schizophrenic tones of the story. This is where I really want to detail things so keep with me please.

The first notable thing is the use of basic shapes. This story is very much about Place. Obviously the main setting being Arkham Asylum, there are frequent references to the Asylum being home, both for Batman and for Amadeus himself. However the Madness of each character is very different. This is displayed through shapes, The sane and more rational characters, like Batman, and Amadeus early in the story are very boxy, house-like, representing that they are the ones able to contain the madness. However as the events in Arkham's life get worse he begins to embrace a less structurally sound round physique. This is of course to say nothing of the Joker who is displayed with almost nothing being symmetrical, a comically large head, and even more ridiculous erratic hair.

Other important notes of artwork are things that are obscured vs things that are deliberately shown. Throughout most of the story, most of the Bat suit is pretty obscured by either shadow, or other blurry effects, meanwhile Batman's very prominent human feature (His Jaw) is almost always what you can see clearly. (I'll leave it to you to figure out why it is, there are at least two opposite reasons, both of them are right). The final thing I'll mention about the artwork is that people will find it very hard to make out at most points. I say that is the point. Batman blurs the line between the rational and the irrational and has to hope that the greater good always prevails. But what is real and what is crazy is a burden for Bruce Wayne alone.

Final Thoughts

Obviously I recommend you get this story. I wouldn't say it's a great introduction to Batman, but once you're a slightly seasoned reader I demand that you get this. Obviously if you're older than me you probably have it. This comic is about 21 years old now so most people have it or don't. But hell, I've got to start my reviewing life somewhere so here we go. In terms of the music that should be playing when you read this go with The Mantle by Agalloch it is some very haunting folk metal that compliments this entire story perfectly. To sum everything up, if you like a deep story that will have you question what goes on in your own mind then pick this up. If you're more a fan of just traditional superhero beat em' ups where the good guys win then skip out on this one. Then throw yourself off of a bridge for being so afraid of good things.

Review: Final Crisis Requiem

Final Crisis Requiem

Yes so I'm starting my reviews way behind the times, but hell; this is a test run. Final Crisis Requiem is a homage to Jonn J'onzz The Martian Manhunter. Written By Peter Tomasi, Drawn by Doug Mahnke, and inked by Christian Alamy and Rodney Ramos (Man it's weird typing most of those in lowercase).

I'll start off with some preliminaries. Jonn is my favorite superhero. He has all the powers of Superman, with twice the tragedy of Kal-El, and Bruce Wayne combined. The only person who has lost more would be Power Girl (Kara Zor-L). As a fan I would say that this is a pretty faithful interpretation of the Martian. No one likes to see a strong character that they love get hurt, and especially so soon into a big summer event, but Tomasi treated the character with respect, or at least with as much respect as one can get by being murdered by a revived 1970s villain retooled by Grant Morrison, who is only attacking you at the whim of a guy named Mike with fire nipples. Still though they did leave out one big continuity thing in their Homage. Where was the events of the 8 issue Martian Manhunter Mini Series The Others Among Us. While it wasn't the strongest story IMO, it was still a good one that challenged Jonn similar to how Superman is being challenged in World of New Krypton right now.


Minor Plot Points given away in this part, just a heads up.

In terms of being a new story for people to get into, I'd say this one is a little bit inaccessable. There are references to a lot of different past comics and series'. Elastic Man squeezing Dr. Light is the most obvious one, calling back to Identity Crisis. Captain Marvel forcing Sivana to eat worms may be a reference to Kingdom Come (an out of Continuity Story, though the reference could come from elsewhere and I wouldn't get it). Who Batman is making out with still elludes me, but it's funny and refreshing in such a dark scene and issue. This issue would be good for someone trying to make up their mind on the Martian Manhunter, as almost his whole story is on display here, to say nothing for his powers, compassion, and connections with all of the big hitters in the DCU.

POTENTIAL SPOILERS

A couple of notable points regarding the plot: Having Nightwing find his dead body was brilliant, Grayson is second to Jonn' in terms of having the most contacts in the DC Universe, and so it would be fitting that he finds him.
-When Green Arrow and Green Lantern (Hal Jordan) are talking, it's a nice callback to the old brave and bold dynamic of Hal wanting to do anything in his power to punish the guilty as harshly as possible with Ollie holding back his bloodlust (I know it's a bit strong of a word) in order to push forward with what's actually right.
-The Final Page is very powerful, with an Unmasked Batman placing a Choco on Jonn's grave, followed by Jonn being united with his whole family for the first time in thousands, possibly millions of years (Depending on who's writing).

End Potential Spoilers

Artwork: Doug Manhke is a pro for sure. The man pays very close attention to detail, not only of the characters, but the backgrounds as well. The place where the Confrontation goes down there is noticable trash around. The Martian Symbology is well defined, and the Blood-red moon is gorgeous. Now that I'm finally putting things on the internet though, I finally need to ask this. What the hell is this man's deal with cheekbones? This is one thing that really throws me out of the experience. Cartoony art I can deal with, guys who's abs have abs (I'm looking at you Ed McGuiness) I can handle that as well. Manhke though is so close to perfect, especially when they let him loose on something like Superman Beyond (I will do a full review of the Final Crisis Hardcover at some point). But the cheekbones man, scale them back please. Beyond that fantastic job. Jonn looks human enough to be relatable, but when they zoom in on his face, his alien features show through very nicely.

Final Thoughts: Wonderful issue. While it's not necessary to have to understand Final Crisis (and yes it is understandable), it's still good to have if you keep up with the DC universe and would like to see more than just a footnote about the guy who has been in every version of the justice league. I would not recommend this to new readers, unless of course for some bizarre reason they're interested in the Martian Manhunter. Artwork is overall fantastic, save for the canyon-like cheekbones. The story is solid, though Tomasi sometimes has a hard time transitioning voices between characters. (Something that really bit him in the ass on the Outsiders). Pick it up if you have some spare change, or your comic shop still has one lying around. If you're a first time Reader and would like some real insight to the Martian, Try The Others Among Us or the Fernus storyline from JLA and see how you like that.

It's nice to see a character I love treated with respect. When/if he comes back I would love to see either a mini series or graphic novel depicting all of his years. Treating him something more like a Dr. Manhattan-like immortal. He could have been around for so much, the Early Green Lantern Corps, Krypton (Is it really reasonable to believe that he would stay and weep on his planet for Five Million years instead of taking on aspects of a Sun Eater (The 52 style ones) and travel the universe in search of new lives. Sinestro subjugating Korugar (SP). All kinds of past events of the DC Universe. One final note to make this a little more interesting than other reviews, especially since this was much more dull than I intended it to be (I will work on that though, I promise). Some good music to listen to would be something that is dark at first, but goes to a lighter mood later in the Song. Cynic's The Space for This is one idea. It's not perfect but it worked for me.

Some notes.

As of now, I'm only going to be doing DC comic reviews. First off, its a financial thing. I can only afford so many comics a month. Next off it's a growing up/preference thing. While I'm sure with a fair chance and some time Marvel and some indie titles can be/are great. However I will mostly be focusing on the big Two plus their subsidiaries vertigo, dark horse, wildstorm, image etc...(Eventually). The reason I prefer DC to Marvel though, is that DC tends to be a much more fictional universe, and if I am reading for pleasure, I am reading for escapism.

Marvel does too much to emulate the real world, and I'm just not personally into that. They do have a nice cast of Characters, Spider Man obviously, The X-Men, Captain America, Dr. Strange, Howard the Duck. All of which I would love to explore in the future, and very well may, once I have more money.

DC though to me, just gives a nice blend of sci-fi, gritty realism, campiness, and fantasy throughout all their titles. And with the Exception of Wonder Woman, 4/5 of their Main Franchises are quite solid right now.

So now that I've knocked out some of the preliminary things, lets try to get a review up for this first day. Keep in mind my reviews may be a bit inconsistent format wise for a little while, as I try out a couple different things.

Hello and Welcome

Alright, like most people of my Age, I figured it would be about time to put my opinions and interests on the internet for all to see. This blog however will probably be exclusively dealing with Comic books and the like. It's become a relatively recent nerd obsession of mine, since my DnD group has disbanded, School has been insultingly easy, and I find the comic book (Namely Superhero) mythos fascinating. I have a strong penchant for artistic and literary analysis without being a professional at either. And while my writing is no-where near great, I feel it's adequate enough to satisfy the needs of the internet. So if you're a stumbler, or someone who likes to mash his or her keyboard in order to find websites. Stay tuned for some hopefully fun reviews, comic book news/rumours, and other interesting and nerdy things (comic related, or otherwise)

Thank You (and More info coming soon)
Styphax