Showing posts with label Doug Mahnke. Show all posts
Showing posts with label Doug Mahnke. Show all posts

Monday, February 1, 2010

DC Comics Review: Green Lantern #50

 Writer: Geoff Johns
Artists: Doug Mahnke with Christian Alamy

Coined by lord Johns as Blackest Night 6.5, this issue deals with the gathering of both the big powers of the emotional spectrum, and Nekron's forces. The plot advances along nicely, and because the cover gives it away, I'll spoil it here. Parallax is back, and Mahnke is the perfect one to draw this. What I love about Geoff Johns is his mastery of the comic book medium. More than any of the British magicians Geoff writes very solid single issues. They leave you both satisfied and wanting more. It's a point I can really only convey to people who buy comics on a weekly or monthly basis. The best way I could give an example of this would be the difference between Batman and Robin #1, and Blackest Night #1. I remember when both came out they were fantastic, but I liked Blackest Night #1 a bit more because it left me satisfied within the whole issue, while Batman and Robin left too much open. It's not entirely a bad thing, but to have a very incomplete story can get very frustrating. It may be why people who only buy TPB's of Johns' work don't quite get why he is so great. 

However this issue I must say is all about the artwork. My first review I knocked Doug for his love of cheekbones, and while that is still certainly there I forgive it entirely. The slavering undead, and the hyper detail of Parallax seems tailor made for Doug's highly detailed style. This is to the point that the Image on page 10 actually made me jump when I hit it. It's perfectly placed behind shots of the good guys winning. Plus the Hal-Spectre fight has some real scary imagery as well. Overall I'd say this time the art actually outshines the story. Mahnke and Alamy haven't been this on point since Superman Beyond. 

As if you need me to tell you, this one is a keeper. Beyond being a 50th issue, it's great for Blackest Night completionists. Plus there was no Blackest Night this month, so this is as close as you're going to get. The end sets the stage for what I am going to imagine as an epic as hell fight. I'm still not decided on what music would be good for this issue though. There is a lot of action in this issue. But the plot takes a crucial step forward, and it ends on a very strong cliffhanger. I would probably try out something from Metallica as a place to start. If you can find some good black metal like Diabolical Masquerade, that could work too. To cast the issue in a more eerie light maybe Isis. I don't know. Overall though, great issue; get it!

Wednesday, January 6, 2010

Review: Final Crisis Requiem



Final Crisis Requiem

Yes so I'm starting my reviews way behind the times, but hell; this is a test run. Final Crisis Requiem is a homage to Jonn J'onzz The Martian Manhunter. Written By Peter Tomasi, Drawn by Doug Mahnke, and inked by Christian Alamy and Rodney Ramos (Man it's weird typing most of those in lowercase).

I'll start off with some preliminaries. Jonn is my favorite superhero. He has all the powers of Superman, with twice the tragedy of Kal-El, and Bruce Wayne combined. The only person who has lost more would be Power Girl (Kara Zor-L). As a fan I would say that this is a pretty faithful interpretation of the Martian. No one likes to see a strong character that they love get hurt, and especially so soon into a big summer event, but Tomasi treated the character with respect, or at least with as much respect as one can get by being murdered by a revived 1970s villain retooled by Grant Morrison, who is only attacking you at the whim of a guy named Mike with fire nipples. Still though they did leave out one big continuity thing in their Homage. Where was the events of the 8 issue Martian Manhunter Mini Series The Others Among Us. While it wasn't the strongest story IMO, it was still a good one that challenged Jonn similar to how Superman is being challenged in World of New Krypton right now.


Minor Plot Points given away in this part, just a heads up.

In terms of being a new story for people to get into, I'd say this one is a little bit inaccessable. There are references to a lot of different past comics and series'. Elastic Man squeezing Dr. Light is the most obvious one, calling back to Identity Crisis. Captain Marvel forcing Sivana to eat worms may be a reference to Kingdom Come (an out of Continuity Story, though the reference could come from elsewhere and I wouldn't get it). Who Batman is making out with still elludes me, but it's funny and refreshing in such a dark scene and issue. This issue would be good for someone trying to make up their mind on the Martian Manhunter, as almost his whole story is on display here, to say nothing for his powers, compassion, and connections with all of the big hitters in the DCU.

POTENTIAL SPOILERS

A couple of notable points regarding the plot: Having Nightwing find his dead body was brilliant, Grayson is second to Jonn' in terms of having the most contacts in the DC Universe, and so it would be fitting that he finds him.
-When Green Arrow and Green Lantern (Hal Jordan) are talking, it's a nice callback to the old brave and bold dynamic of Hal wanting to do anything in his power to punish the guilty as harshly as possible with Ollie holding back his bloodlust (I know it's a bit strong of a word) in order to push forward with what's actually right.
-The Final Page is very powerful, with an Unmasked Batman placing a Choco on Jonn's grave, followed by Jonn being united with his whole family for the first time in thousands, possibly millions of years (Depending on who's writing).

End Potential Spoilers

Artwork
: Doug Manhke is a pro for sure. The man pays very close attention to detail, not only of the characters, but the backgrounds as well. The place where the Confrontation goes down there is noticable trash around. The Martian Symbology is well defined, and the Blood-red moon is gorgeous. Now that I'm finally putting things on the internet though, I finally need to ask this. What the hell is this man's deal with cheekbones? This is one thing that really throws me out of the experience. Cartoony art I can deal with, guys who's abs have abs (I'm looking at you Ed McGuiness) I can handle that as well. Manhke though is so close to perfect, especially when they let him loose on something like Superman Beyond (I will do a full review of the Final Crisis Hardcover at some point). But the cheekbones man, scale them back please. Beyond that fantastic job. Jonn looks human enough to be relatable, but when they zoom in on his face, his alien features show through very nicely.

Final Thoughts: Wonderful issue. While it's not necessary to have to understand Final Crisis (and yes it is understandable), it's still good to have if you keep up with the DC universe and would like to see more than just a footnote about the guy who has been in every version of the justice league. I would not recommend this to new readers, unless of course for some bizarre reason they're interested in the Martian Manhunter. Artwork is overall fantastic, save for the canyon-like cheekbones. The story is solid, though Tomasi sometimes has a hard time transitioning voices between characters. (Something that really bit him in the ass on the Outsiders). Pick it up if you have some spare change, or your comic shop still has one lying around. If you're a first time Reader and would like some real insight to the Martian, Try The Others Among Us or the Fernus storyline from JLA and see how you like that.

It's nice to see a character I love treated with respect. When/if he comes back I would love to see either a mini series or graphic novel depicting all of his years. Treating him something more like a Dr. Manhattan-like immortal. He could have been around for so much, the Early Green Lantern Corps, Krypton (Is it really reasonable to believe that he would stay and weep on his planet for Five Million years instead of taking on aspects of a Sun Eater (The 52 style ones) and travel the universe in search of new lives. Sinestro subjugating Korugar (SP). All kinds of past events of the DC Universe. One final note to make this a little more interesting than other reviews, especially since this was much more dull than I intended it to be (I will work on that though, I promise). Some good music to listen to would be something that is dark at first, but goes to a lighter mood later in the Song. Cynic's The Space for This is one idea. It's not perfect but it worked for me.