Showing posts with label Final Crisis. Show all posts
Showing posts with label Final Crisis. Show all posts

Sunday, January 17, 2010

Chris Yost's Run on Red Robin


Red Robin #2 Cover
Francis Manapul

Chris Yost, I am very confused by him. Currently he is the writer of Red Robin, the "post" Bruce Wayne Tim Drake (Wayne) identity. To put it politely his run has been an entire piece of shit. Ok, maybe not that harshly, after all Batgirl is far worse, and Outsiders crashed and burned much sooner than this title. Still I think I have my anger toward Yost because it's Tim Drake. The Robin that was the most Human.

While I love Dick Grayson, and yes I love him as Batman, it's been great fun; There is no denying that his original conception was just to be Kid Batman. He was there to sort of just be cool to younger kids, and indeed that is the recurring motif with all of the Robins. They grow up with the Readers. Dick is now post college (comic book style), having found a real job as Batman, Tim seems to be an insecure but competent late teenager. And Damian is just a little shitmuncher, not completely relate-able except by spoiled rich kids, but still his rebelious nature is something to be desired for very little kids just realising that rules are meant to be broken. 

However back to Chris Yost, and Red Robin. Drake started out wanting to be Robin for the sake of studying under Batman's tutelage as a detective, not so much as an ass kickin' crime fighter; though I'm sure for all kids his age that was a damn nice bonus. This backstory was a nice change from everyone's motivations stemming from tragedy. Eventually though tragedy did catch up to Tim when each of his parents were taken by crime. But unlike most heroes who used it to keep pushing forward as a hero. (I mean this as this is now entirely what motivates them, like Batman, or the 2814 Green Lanterns initially). Tim moves past it, taking time off from being Robin, and going through a completely reasonable lashing out at the world period. A few real life years later, the man who adopted Tim was killed by the god of all evil (the most fucking badass way for Batman to go, and you know it!) Tim once again goes into denial and sets out on a morally questionable journey to prove that Bruce is still alive, and now here come all kinds of problems.

Just to start with something positive before I pour bile all over Yost...Everything he's done so far has been a very good attempt. He's been trying to play to the fact that Tim is a detective, however he just isn't Brad Meltzer, or a pre tragedy Jeph Leob, in that he just can't seem to write a good, unpredictable, compelling mystery. Ok, so Tim doesn't think Bruce is dead. That's fine, now here is where you would present the why, other than denial. I understand he's upset and might not be thinking clearly, but a detective of Tim's caliber would need more than the corpse of Batman to run off and search for Bruce. That's the next thing; the story on his hunt for Bruce Wayne makes absolutely no sense. He's in Germany, Paris, Iraq, then BAM! he has the Bat that Bruce drew on the cave wall at the end of Final Crisis #7. We don't know what he found in the previous countries, we don't know how the fuck he got to this specific cave. Moreover Ra's Al Ghul is trailing Tim, presumably to find Batman's corpse and put it in a Lazarus pit (Though I think that's what they're going to do in Batman and Robin, but that's Grant Morrison so it will be good).

Overall the story just wreaks of lazy storytelling. The characterisation isn't bad, with Tim constantly reassuring himself he's not crazy. But the problem is the Audience already knows what no one else in the DCU knows; that Batman isn't dead. So to keep hammering that home becomes very frustrating to read. This is compounded by the fact that Tim rarely interacts with anyone who makes him feel like he's crazy. Brief stints with Wonder Girl, and Spoiler who just want to help him, but then he turns brash saying that he has to do this alone for absolutely no good reason.

As an older person than the demographic that Drake is sort of aimed at, I try not to let his angst get to me too much though it is bothersome at times. But back to just basic storytelling problems, Yost just doesn't give any reason or means for these mysteries to be solved. The council of spiders arc was fair enough. But it was in the end a series of punch ups and then suddenly Tim blew up Ra's computer network. It was entirely stupid and really just didn't offer anything new to the character, the Bat-verse, the DCU, or comic books as a whole. And while not every comic needs to be a watchmen or promethea; Red Robin takes a very central character in the Bat-verse, in a very strange time in this world, and does absolutely nothing with it. It's a costume change, and a slight personality change, but no real character development, even in the vein of comics where everything is reset.

I still don't know what to say about Yost as a writer. While I want to replace his skin with styrofoam for making such a stupid arc on Red Robin, his One issue stint on Titans spotlighting Starfire was not all that bad. Neither was his run on The Streets of Gotham. So who knows? This is a book that you should skip. Unless of course you have some disposable income and would just like to see something crash and burn. If you would like to see a slightly less irritating Tim Drake depiction, pick up Adventure Comics #3, or Blackest Night Batman.

Also I know that its ironic that I criticize Yost for having all kinds of plot holes and simplistic writing, while my own writing style is splotchy. I'm working on it, and also I'm not a professional, so yeah....

Wednesday, January 6, 2010

Review: Final Crisis Requiem



Final Crisis Requiem

Yes so I'm starting my reviews way behind the times, but hell; this is a test run. Final Crisis Requiem is a homage to Jonn J'onzz The Martian Manhunter. Written By Peter Tomasi, Drawn by Doug Mahnke, and inked by Christian Alamy and Rodney Ramos (Man it's weird typing most of those in lowercase).

I'll start off with some preliminaries. Jonn is my favorite superhero. He has all the powers of Superman, with twice the tragedy of Kal-El, and Bruce Wayne combined. The only person who has lost more would be Power Girl (Kara Zor-L). As a fan I would say that this is a pretty faithful interpretation of the Martian. No one likes to see a strong character that they love get hurt, and especially so soon into a big summer event, but Tomasi treated the character with respect, or at least with as much respect as one can get by being murdered by a revived 1970s villain retooled by Grant Morrison, who is only attacking you at the whim of a guy named Mike with fire nipples. Still though they did leave out one big continuity thing in their Homage. Where was the events of the 8 issue Martian Manhunter Mini Series The Others Among Us. While it wasn't the strongest story IMO, it was still a good one that challenged Jonn similar to how Superman is being challenged in World of New Krypton right now.


Minor Plot Points given away in this part, just a heads up.

In terms of being a new story for people to get into, I'd say this one is a little bit inaccessable. There are references to a lot of different past comics and series'. Elastic Man squeezing Dr. Light is the most obvious one, calling back to Identity Crisis. Captain Marvel forcing Sivana to eat worms may be a reference to Kingdom Come (an out of Continuity Story, though the reference could come from elsewhere and I wouldn't get it). Who Batman is making out with still elludes me, but it's funny and refreshing in such a dark scene and issue. This issue would be good for someone trying to make up their mind on the Martian Manhunter, as almost his whole story is on display here, to say nothing for his powers, compassion, and connections with all of the big hitters in the DCU.

POTENTIAL SPOILERS

A couple of notable points regarding the plot: Having Nightwing find his dead body was brilliant, Grayson is second to Jonn' in terms of having the most contacts in the DC Universe, and so it would be fitting that he finds him.
-When Green Arrow and Green Lantern (Hal Jordan) are talking, it's a nice callback to the old brave and bold dynamic of Hal wanting to do anything in his power to punish the guilty as harshly as possible with Ollie holding back his bloodlust (I know it's a bit strong of a word) in order to push forward with what's actually right.
-The Final Page is very powerful, with an Unmasked Batman placing a Choco on Jonn's grave, followed by Jonn being united with his whole family for the first time in thousands, possibly millions of years (Depending on who's writing).

End Potential Spoilers

Artwork
: Doug Manhke is a pro for sure. The man pays very close attention to detail, not only of the characters, but the backgrounds as well. The place where the Confrontation goes down there is noticable trash around. The Martian Symbology is well defined, and the Blood-red moon is gorgeous. Now that I'm finally putting things on the internet though, I finally need to ask this. What the hell is this man's deal with cheekbones? This is one thing that really throws me out of the experience. Cartoony art I can deal with, guys who's abs have abs (I'm looking at you Ed McGuiness) I can handle that as well. Manhke though is so close to perfect, especially when they let him loose on something like Superman Beyond (I will do a full review of the Final Crisis Hardcover at some point). But the cheekbones man, scale them back please. Beyond that fantastic job. Jonn looks human enough to be relatable, but when they zoom in on his face, his alien features show through very nicely.

Final Thoughts: Wonderful issue. While it's not necessary to have to understand Final Crisis (and yes it is understandable), it's still good to have if you keep up with the DC universe and would like to see more than just a footnote about the guy who has been in every version of the justice league. I would not recommend this to new readers, unless of course for some bizarre reason they're interested in the Martian Manhunter. Artwork is overall fantastic, save for the canyon-like cheekbones. The story is solid, though Tomasi sometimes has a hard time transitioning voices between characters. (Something that really bit him in the ass on the Outsiders). Pick it up if you have some spare change, or your comic shop still has one lying around. If you're a first time Reader and would like some real insight to the Martian, Try The Others Among Us or the Fernus storyline from JLA and see how you like that.

It's nice to see a character I love treated with respect. When/if he comes back I would love to see either a mini series or graphic novel depicting all of his years. Treating him something more like a Dr. Manhattan-like immortal. He could have been around for so much, the Early Green Lantern Corps, Krypton (Is it really reasonable to believe that he would stay and weep on his planet for Five Million years instead of taking on aspects of a Sun Eater (The 52 style ones) and travel the universe in search of new lives. Sinestro subjugating Korugar (SP). All kinds of past events of the DC Universe. One final note to make this a little more interesting than other reviews, especially since this was much more dull than I intended it to be (I will work on that though, I promise). Some good music to listen to would be something that is dark at first, but goes to a lighter mood later in the Song. Cynic's The Space for This is one idea. It's not perfect but it worked for me.